ARSC Conference
Recordings
ARSC has a long tradition of recording conference sessions. We recognize the research value of these recordings and take pride in making them available to our community. When possible, slide presentations are included. All conference recordings may be searched by Keyword, Author, Title, Volume, Year, and Resource Type via AMP!, the new ARSC Media & Publications online search tool. Current ARSC membership is required to dowload recordings from the previous five conferences. Recordings from preceding conferences are available to the general public.
Conference Recordings Online
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2023 | Pittsburgh, PA
May 17-20, 2023 Audio, Slides
Conference Website
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2022 | Virtual Conference
May 17-21, 2022 Audio, Slides
Conference Website
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2021 | Virtual Conference
May 13-15, 2021 Video
Conference Website
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2020 | Virtual Conference
May 21-23, 2020 Video
Conference Website
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2019 | Portland, OR
May 10-13, 2019 Audio, Video, Slides
Conference Website
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2018 | Baltimore, MD
May 9-12, 2018 Audio, Video, Slides
Conference Website
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2017 | San Antonio, TX
May 10-13, 2017 Audio, Video, Slides
Conference Website
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2016 | Bloomington, IN
May 11-14, 2016 Audio, Video, Slides
Conference Website
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2015 | Pittsburgh, PA
May 27-30, 2015 Audio, Video, Slides
Conference Website
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2014 | Chapel Hill, NC May 14-17, 2014
Audio, Video, Slides
Conference Website
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2013 | Kansas City, MO May 15-18, 2013
Audio, Video, Slides
Conference Website
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2012 | Rochester, NY May 16-19, 2012
Audio, Video, Slides
Conference Website
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2011 | Los Angeles, CA May 11-14, 2011
Audio, Video, Slides
Conference Website
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2010 | New Orleans, LA May 19-22, 2010
Audio, Slides
Conference Website
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2009 | Washington, D.C. May 27-30, 2009
Audio, Slides
Conference Website
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2008 | Palo Alto, CA March 26-29, 2008
Audio, Slides
Conference Website
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These earlier conference recordings can also be accessed through AMP!, the new ARSC Media & Publications online search tool:
2007 | 2006 | 2005 | 2004
| 2003 | 2002 | 2001
| 2000 | 1999 | 1998
NOTICE: All ARSC recordings are protected by copyright. Copies are
made only for personal and educational non-profit, non-commercial
use. No part may be sold, loaned, copied, or published without the
written permission of the speaker. Some sessions may not be available due to contract restrictions.
ARSC 2007 Conference Sessions
Milwaukee, Wisconsin
Thursday, May 3, 2007
- Cary Ginell, Milwaukee's Jack Teter: Get Hep & Get Happy! [+
PowerPoint].
- Michael Biel, Pre-History of the NBC Chimes [+ PowerPoint; Kelvin
Keech movie; Michael Shoshani's NBC Chimes Museum (online)].
- Bill Klinger, Archival Cylinder Box: an ARSC Design and Engineering
Project [+ PowerPoint; movie; 3D CAD viewing software].
- Copyright and Fair Use Committee Report on Recent Activities and
Developments (Rob Bamberger, Tim Brooks, Sam Brylawski).
- ARSC Technical Committee Roundtable: Small Scale Audio Preservation
Storage and Management Issues and Solutions (Mike Casey, Andy Kolovos,
Adrian Cosentini, John Spencer, and Jon Dunn).
- Mick Moloney, Irish-Americans in the Acoustic Era (edited).
- Harry Bradshaw, The Golden Age of Irish Music Recording.
Friday, May 4, 2007 (Morning)
- Niel Shell, Nathaniel Shilkret: A Most Prolific and Diverse Creator
of Recorded Sound [+ PowerPoint].
- Dennis D. Rooney, 1957: An Audio Necrology of the Varied and Important
Musical Figures Lost During That Year.
- Hannah Sommers and Lorne Shapiro, Where Did You Find That?: How
NPR and the CBC Audio Collections Support Engaging, Non-Commercial
Radio Programming—On Deadline! Incomplete: gaps in recording
at 11:30 and 21:30.
- Deborah L. Gillaspie, The Jazz That Made Milwaukee Famous: Newly
Digitized Tapes from the John Steiner Collection at the Chicago Jazz
Library.
- Brandon Burke, Wreck Up a Version: King Tubby, Dub Reggae, and
the Roots of Sampling.
- Sonia Yaco, The Potential For Use of Voice Recognition Software
in Appraisal of Oral History Tapes [+ PowerPoint].
- Aaron M. Bittel, Could Audio Archives Be the Next Hot Location
For Field Research? [+ PowerPoint].
Friday, May 4, 2007 (Afternoon)
- James P. Leary, The Polkabilly Sound on Upper Midwestern Records.
- Richard Hess, Tape Degradation Factors and Predicting Tape Life
[+PowerPoint].
- Seth Winner, CEDAR Retouch.
- Doug Pomeroy, How To Play a Record.
- Robin and Joan Rolfs, Phonograph Dolls and Toys [+ movies: Talking
Dolls, Phonograph Toys].
- Patrick Feaster and David Giovannoni, "For Private Edification
and
Instruction": Phonographic Indecency in the Victorian Age [+PowerPoint].
Saturday, May 5, 2007
- Helmut Kowar, Sound Recordings as a Tool for Musicological Research
into Musical Automata [+ PowerPoint, movie].
- Philip C. Carli, Mechanical Music of the Rich and Famous: Orchestrions,
Pittsburgh Plutocrats and Musical Culture.
- Robert Ridgeway and Robert DeLand, Automatic Musical Instruments:
An Overview. Audio edited together from Mike Biel video.
ARSC 2006 Conference Sessions
Seattle, Washington
- 2006-1: Dan Des Foldes, Director, Victor Foreign
Department,
ca. 1924–1940 and Michael Tokarick’s Minersville
Slovak Orchestra. (Steve Shapiro)
- 2006-2: Homer Rodeheaver, Rainbow Records and
the Birth of the Gospel Recording Industry. (David N. Lewis)
- 2006-4: 80000 LPs times 1122 miles: The Wilson
Processing Project & OCLC take on NYPL’s Uncataloged Vinyl.
(Peter Hirsch)
- 2006-5: From the Handcrank to the Hyperlink….UCSB
Cylinder Digitization Project. (David Seubert and Noah Pollaczek)
- 2006-7: The Encyclopedic Discography of Victor
Recordings Redux. (David Seubert and Sam Brylawski)
- 2006-8: Creating a Discography of Classical Music.
(Tore Simonsen)
- 2006-10: New Imaging Methods Applied to Mechanical
Sound Carrier Preservation and Access. (Carl Haber)
- 2006-13: A Fuller Perspective of the Pacific:
Opening an Audio Portal into the Field Museum’s A. W. F. Fuller
Ethnographic Collection. (John Maniatis)
- 2006-16: ‘It’s the Going Home Together’:
The Golden Apple and the of the Cast Album in the Mid-1950s. (Helice
Koffler)
- 2006-17: Corporate Utopias: The Hidden History
of the Industrial Musical on Record. (Jonathan Ward)
- 2006-18: Elektra Records and the Development
of Album Cover Art, 1951-1970. (Cary Ginell)
- 2006-19: Voices in the Oval Office: The Secret
Presidential Tapes Collection. (John Powers and Maura Porter)
- 2006-20: Saving the Unique Sounds of American
Political Campaigning (Lewis Mazanti)
- 2006-21: ‘Unintelligible at Any Speed’: ‘Louie,
Louie,’ the FBI, and the Pacific Northwest (Roberta Freund
Schwartz)
- 2006-30: Capitol vs. Naxos (David Levine)
- 2006-31: New Business Model for Archive-Industry
Collaboration. (Peter McDonald)
- 2006-32: Dobbin: New Techniques in Audio Mass
Processing. (Joerg Houpert and Jerome Luepkes)
- 2006-34: Strange To Your Ears—A History
of Manipulating Pitch, Timbre, and Time in Sound Recordings. (Leah
Biel and Mike Biel)
- 2006-35: Gospel Music as Story: The Life and
Work of Otis Jackson (Robert M. Marovich)
ARSC 2005 Conference Sessions
Austin, Texas
- 2005-1: Sellin’ the Blues: The History of Blues
Advertising in the ’20s and ’30s. John Tefteller, Blues Images and
The World’s Rarest Records, Grants Pass, OR
- 2005-3: Discography of Texan Jazz. Dave Oliphant,
UT Austin
- 2005-4: Recorded Sound in the Center for American
History. John Wheat, UT Austin
- 2005-5: Texas Music Museum, Austin. Clay Shorkey,
UT Austin
- 2005-6: The Crossroads of Texas Music. Curtis
Peoples, Texas Tech University, Lubbock, TX
- 2005-7: Texas Record Labels and Their Role in
Recording Vernacular Mexican-American Music. Chris Strachwitz and
Tom Diamant, Arhoolie Foundation, El Cerrito, CA
- 2005-8: In the Trenches: Surveying the Groove.
George Brock- Nannestad, Gentofte, DK, and Bill Klinger, Chardon,
OH
- 2005-9: Correction of Wow and Flutter Artifacts:
Theoretical Implications for Analog Signal Degradation. Robert Heiber,
Chace Audio, Burbank, CA
- 2005-10: The Invisibility of Music in the Age
of Recording. Mark Katz, Johns Hopkins University, Baltimore, MD
- 2005-11: The Gramophone Company in Central Asia:
Social History through Discography. Will Prentice, British Library
Sound Archive, London, UK
- 2005-12: Rediscovering “Toscanini: The Man Behind
the Legend.” Susannah Cleveland and Mark McKnight, UNT
- 2005-13: Rosetta Reitz—Rediscovering Women in
Jazz & Blues. Ava Lawrence, Northeastern University, Boston, MA
- 2005-14: Jimmy Giuffre: Unsung Avant-Garde Jazz
Composer and Improviser. Peter Johnston, York University, Toronto,
ON
- 2005-15: Naropa University Archive Project: Preserving,
Reformatting, and Cataloging 20th Century American Literary Culture.
Tim Hawkins, Kristen Andersen, and Joe Conway, Naropa University,
Boulder, CO
- 2005-16: Folk Music on the Radio: Forgotten Roots
of the Revival. Matthew Barton, American Folklife Center, Library
of Congress, Washington, DC
- 2005-17: “Pass the Biscuits, Pappy”—W. Lee O’Daniel
or How to Win an Election with No Substance But a Lot of Entertainment
Value. Cary Ginell, Thousand Oaks, CA
- 2005-18: Outlaw Country: Godfather to the Muzik
Mafia. Nancy A. Jacobson, University of Michigan, Detroit
- 2005-19: Ben Botkin and Folklore of the Badman.
Mary Ellen Ducey and Peterson E. Brink, University of Nebraska
- 2005-20: A Brief Introduction to the Sheldon Harris
Blues Collection. Greg Johnson, University of Mississippi
- 2005-21: A Tour of Nauck’s Vintage Records. Joe
Salerno, Houston, TX
- 2005-22: Wann geht der naechste Schwann?—A History
of the Schwann Catalog. Michael Biel, Morehead State University, Morehead,
KY
- 2005-23: Sound Recording Reissue Practices Under
Current U.S. Copyright Law. Tim Brooks, Greenwich, CT, Steve Smolian,
Frederick, MD, and Samuel Brylawski, UCSB
- 2005-24: Preservation Metrics for Audio Collections.
Michael Olson, Stanford University, Stanford, CA
- 2005-25: A Comparison of Software Based Digital
Audio Restoration Methods. Mark Sarisky, UT Austin
- 2005-26: More Than We Can Chew? Audio Preservation
Digitization and Small Non-Profit Institutions. Andy Kolovos, Vermont
Folklife Center, Middlebury, VT
- 2005-27: WRVA Radio, the “Voice of Virginia.”
Jay Gaidmore, The Library of Virginia, Richmond, Virginia. Also written
by James Sam, Ryan Davis, and Anji Cornette, The Cutting Corporation,
Bethesda, MD
- 2005-28: A/B After the Converter: Moving Forward
with Enduring Preservation of Audio (ARCS Technical Committee)
ARSC 2004 Conference Sessions
Cleveland, Ohio
- 2004-1: U-S Phonograph Co.: The Cleveland Firm
That Dared to Challenge Edison and Columbia. Bill Klinger, Chardon,
OH
- 2004-2: Recording Music and Experiences: J. Louis
von der Mehden, Jr., at the New York Studio of the U-S Phonograph
Co. Philip C. Carli, Rochester, NY
- 2004-3: Brian: A Relational Database Application
for Discographers. Noal Cohen and Steve Albin, Montclair, NJ
- 2004-4: Discography in the Digital Age. David
J. Diehl, Texas State Technical College
- 2004-8: North Coast Jingles: The Career of a Commercial
Composer in Cleveland. Amy Wooley, The College of William and Mary
- 2004-9: The Cleveland-Chicago Nexus in Rhythm
& Blues Recording in the Post WWII Era. Robert Pruter, Lewis Univ.
- 2004-10: Polka, and Why It’s Good for You.
Joe Oberaitis, Orlando, Florida, Laurie A. Gomulka Palazzolo, Farmington,
MI, Stas' Wisniach, Detroit
- 2004-11: Panel: Recording the History of Folk and
Traditional Music (Ron Pen, Ricahrd Green, Ronald Cohen, Kip Lornell,
Chris Strachwitz)
- 2004-12 Rediscovering George W. Johnson, The First
African American Recording “Star.” Tim Brooks, Greenwich,
CT
- 2004-13: Harry Belafonte and His Global Carnival.
Cary Ginell, Origin Jazz Library, Thousand Oaks, CA
- 2004-14: Carmichael’s Hoagy: The Hidden
Complexity Behind the Homespun Persona. Suzanne Mudge, Indiana Univ.
- 2004-15: A Recording History of the Cleveland
Orchestra. Donald Rosenberg, The Plain Dealer, Cleveland
- 2004-16: “One Hundred Men and a Perfectionist"—How
George Szell Transformed the Cleveland Orchestra. Peter Munves
- 2004-17: Singing ‘bout the Sixth City: Cleveland,
Ohio, in Popular Song. Bill Schurk, Bowling Green State University
- 2004-18: Rock ‘n’ Roll in Cleveland,
Ohio. Deanna R. Adams, Mentor, OH
- 2004-19: “Polka Capital”? “Home
of Rock ‘n’ Roll”? “Little Nashville”?
— A Cultural and Ethnic History of Recording in Cleveland. Susan
Schmidt Horning, CWRU
- 2004-20: The Growing Pains of the Starr-Gennett
Collection. Elizabeth Surles, Starr-Gennett Foundation
- 2004-21: Josiah K. Lilly and the Foster Hall Recordings.
Mariana Whitmer, University of Pittsburgh
- 2004-22: Herbert Elwell, Leonard Shure, and Mary
Simmons: Classical Music in Cleveland. Marc Bernstein, Toronto, ON
- 2004-23 The New World Records Story. David Hamilton,
The Juilliard School
- 2004-24 The Telarc Story—From Direct-to-Disc
and the Cleveland Orchestra…to DSD…and Beyond. Jack Renner
and Robert Woods, Telarc Records
- 2004-25 Dayton C. Miller: The Clevelander Who
Knew All About Sound Recording. George Brock-Nannestad, Patent Tactics
- 2004-26 The Radio: Recorded vs. Live Paradigm.
James R. Powell, Jr., Gramophone Adventures, Portage, MI
- 2004-27 Technical Committee Roundtable: Magnetic
Tape Restoration and Transfer (Gary Galo, Adrian Cosentini, Joseph
Patrych, Dennis Rooney, Jon M. Samuels, Seth Winner)
- 2004-28 James Andem and the Ohio Phonograph Company.
Patrick Feaster, Indiana Univ., and David Lewis, All Music Guide
- 2004-29 “The King of Them All”: Syd
Nathan and the Rise and Fall of King Records (Cincinnati, OH). Ben
Grillot, VidiPax
- 2004-30 The Dayton Funk Movement: Midwife to the
Birth of Album Oriented Black Pop, Jason Housley, Indiana Univ.
- 2004-31 Ain’t It Fun Knowing You’ll
Never Be Number One: Ohio Artpunk 1972-1987. David Lewis, All Music
Guide
- 2004-32 Red, White, and Whose Blues? Questions
of Authenticity, Appropriation and Identity, Roberta Freund Schwartz,
Univ. Kansas
ARSC 2003 Conference Sessions
Philadelphia, Pennsylvania
- 2003-1: Music Documentation on the Radio. Steve
Rowland, producer of The Miles Davis Radio Project. (69:00)
- 2003-2: The Marriage of Discography and Bibliography
in Country Music Sources. Dick Spottswood, radio host, record producer,
and author. (37:00)
- 2003-3: The Johnson Victrola Museum. Jim Stewart,
Delaware State Museums. (50:00)
- 2003-4: Fred Waring and the Pennsylvanians, Recording
Pioneer. Peter T. Kiefer, Pennsylvania State University. (51:00)
- 2003-5: A Discussion with Two Philadelphia Popular
Music Legends. Joe Tarsia,engineer, producer, and founder of Sigma
Sound Studios, and Dave Appell, bandleader, composer, arranger, and
producer for Cameo Parkway. (80:00 & 19:00)
- 2003-6: The Real Basics: the Epistemology of Recorded
Sound. George Brock-Nannestad, Patent Tactics, Gentofte, Denmark.
(50:00)
- 2003-7: Finding my Voice: The Pedagogy of Analog
Audio Digitization. Bill Walker, Amigos Library Systems, Dallas, Texas
(48:00)
- 2003-8: The Basso Profundo Voice. Ed Durbeck,
Durbeck Archive, Oceanside, California. (47:00)
- 2003-9: The Bernstein/Borenstein Cantors: A Personal
History on Record. Marc Bernstein, Toronto, Canada. (35:00)
- 2003-10: Houston Dealer Sets "Record" Prices,
or the Economics of Record Collecting. Kurt Nauck, Nauck's Vintage
Records, Spring, Texas. (66:00)
- 2003-11: The Pacifica Radio Archive. Brian DeShazor,
Pacifica Radio Archives, North Hollywood, California. (45:00)
2003-12: The Announcer's Lot is not a Happy One.
Donald Manildi, International Piano Archives at Maryland, University
of Maryland, and Dennis Rooney, record producer and engineer. (35:00)
- 2003-13/14: ARSC Technical Committee Session:
Audio Transfer and Restoration Roundtable. (two CDs) (78:00 & 45:00)
- 2003-15: Recorded Music in the City of Brotherly
Love. Aaron Levinson, collector, producer, and composer. (34:00)
- 2003-16: The Philadelphia Brass Ensemble: Glorious
Sound of Brass, Gabrieli, Glenn Gould-and 'Torchy Jones.' Carole Nowicke,
Indiana University. (63:00)
- 2003-17: Nat Brusiloff, Broadcast Pioneer. David
Sager, Library of Congress. (51:00)
- 2003-18: Dorle and Dario Soria: Two Lives in Music
and Recording. David Hamilton, Juilliard School faculty, author, and
critic. (51:00)
- 2003-19: The Philadelphia Mummers String Bands.
Fred Williams, collector, writer, and record producer. (58:00)
- 2003-20: Record Collecting: A Mundane Obsession.
Francis Davis, author, critic, and contributing editor of The Atlantic
Monthly. (52:00)
- 2003-21: Something New from Miss Lee Morse. Michael
Tarabulski, International Jazz Collections, Lionel Hampton Center,
University of Idaho. (34:00)
- 2003-22: Good Vibes: The Jazz Life of Terry Gibbs.
Cary Ginell, author and radio host (65:00)
ARSC 2002 Conference Sessions
Santa Barbara, California
- 2002-1: American "Exhibition" Recordings
of 1888-1889: Prologue to the Recording Industry. Patrick Feaster,
Indiana University. (1:06:00)
- 2002-2: The Earliest Hawaiian Recordings, Facts
& Myths. Malcolm Rockwell, Kula, Hawaii. (26:00)
- 2002-3: The Rise of the Hit Record at Edison,
1911-1921. Jerry Fabris, Edison National Historic Site. (44:00)
- 2002-4: Understanding Beecham: The Post-War Contract
Negotiations with Columbia Records and EMI. David Patmore, University
of Sheffield.
- 2002-5: Confessions of Stan Cornyn, author of
Exploding: The Highs, Hits, Hype, Heroes, and Hustlers of the Warner
Music Group. Stan Cornyn, Santa Barbara, California.
- 2002-6: National Academy of Recording Arts and
Sciences presentation: Preserving the Pop Masters. Ralph Sutton, Wonderland
Recording Studios, and Cheryl Mollicone, NARAS.
- 2002-7: Lalo Guerrero, The Father of Chicano Music.
Salvador Güereña, Univeristy of California, Santa Barbara.
(35:00)
- 2002-8: Preservation and Accessibility through
Digitizing the Arhoolie Foundation's Frontera Collection. Chris Strachwitz
and Tom Diamant, The Arhoolie Foundation.
- 2002-11: California Dreamin': The Romance of California
in Sheet Music and Popular Recordings of the Early 20th Century. Tom
and Virginia Hawthorn, Hawthorn's Antique Audio. (40:00???)
- 2002-12; Roy Ringwald: Arranger Extraordinaire.
Peter F. Kiefer, Penn State University. (35:00)
- 2002-13: Early Mozart Recordings: Documents of
Traditions and New Concepts. Martin Elste, Staatliches Institut für
Musikforschung Preussischer Kulturbesitz. (34:00)
- 2002-14: Composer and Creator Performances on
Record. Gary Galo, State University of New York, Potsdam. (42:00)
- 2002-15: Update on the International Piano Archive:
Delights, Disasters, and Discoveries. Don Manildi, University of Maryland.
- 2002-16: The Search for Sister O.M. Terrell. Bruce
Nemerov, The Center for Popular Music. (29:00)
- 2002-17: Storage and Preservation Today for Tomorrow.
David Wexler, Hollywood Vaults, Inc. (52:00)
- 2002-18: The Otari Digital Archive System. John
Spencer, VP Sales and Marketing, Otari Corporation. (36:00)
- 2002-19: Motion Picture Sound Preservation and
Restoration in the Digital Age. Bob Heiber and Richard Young, Chace
Sound. (1:04:00)
- 2002-20: Retrieving and Restoring Information
from Damaged Full-track Monaural Tape Recordings. Seth B. Winner,
Seth B. Winner Sound Studios, New York and Dennis Rooney, New York,
NY.
- 2002-21: Hillbillies Out West: Early Country Music
Recording in California 1928-1941. Cary Ginell, Sound Thinking Music
Research and Origin Jazz Library, Thousand Oaks, California. (1:00:00??)
- 2002-22: "Home is Pasadena": California
in Popular Song. Bill Schurk, Bowling Green State University.
- 2002-23: The California Antique Phonograph Society
Southwest Museum Cylinder Project. Michael F. Khanchalian, Mark Ulano,
and Dan Reed. 50:00
- 2002-24: Mexican-American Music in the Lummis Wax
Cylinder Collection: Issues in Transcription and Publication. John
Koegel, California State University, Fullerton.
- 2002-25: From Central Avenue to the Pan Afrikan
Peoples Arkestra - Documenting Community Arts in the African American
Community of Los Angeles. Steven L. Isoardi, UCLA Oral History Program.
(26:00)
- 2002-26: Rabbits, Rats, and Trained Widow Spiders:
The Story of Jazz Bandleader and Amateur Zoologist, Harry Spindler
(1893-1961). David N. Lewis, All Music Guide.
- 2002-27: The Durbeck Archive: Documenting Complete
Opera Recordings of the LP Era. Edward F. Durbeck III, Oceanside,
California.
- 2002-28: Archival Collections on the Web: Cylinders
& Berliner On-line. David Seubert, University of California, Santa
Barbara, Richard Green, National Library of Canada and Samuel Brylawski,
Library of Congress. (46:00)
- 2002-29: ARSC and the National Recording Preservation
Board. Bill Klinger, Chardon, Ohio.
ARSC 2001 Conference Sessions
London, United Kingdom
2001 conference sessions are unavailable.
ARSC 2000 Conference Sessions
Chapel Hill, North Carolina
- 2000-1: Preserving the Sounds of the South: The
Artus Moser Collection, by Amy Davis and Steve Weiss (University of
North Carolina, Chapel Hill) (45:00)
- 2000-2: The Booze Yacht: Ballads from Core Sound,
by Wayne Martin (30:00)
- 2000-3: Music from the Lost Provinces, by Marshall
Wyatt (30:00)
- 2000-4: The Complete Sousa Band Recordings, by
Fred Williams and Seth Winner (45:00)
- 2000-5: Perpetuating the Artistry of Leonard Warren:
A 15-Year Labor of Love, by Barrett Crawford (45:00)
- 2000-6: The Copyright Dilemma: Ask the Lawyer,
by Laura Gasaway (60:00)
- 2000-7: Russia's Discographer: Valery Safoshkin,
by Dr. Michael Biel (60:00)
- 2000-8; A Modern Wire Replay System, by Art Shifrin
(45:00)
- 2000-9: The Library of Congress National Audio-Visual
Conservation and Digital Repository, by Sam Brylawski (Library of
Congress) (45:00)
- 2000-10: Designer Labels and the Modern Collector:
or, A Systematic Approach to the Description and Classification of
American Disc Record Labels, by Kurt Nauck and Allan Sutton (read
by Dr. Michael Biel) (30:00)
- 2000-11: Jack Norworth: King of the Palace, by
Allen Debus (45:00)
- 2000-12: Grey Gull Records: Boston's Own Label,
by Donna Halper (45:00)
- 2000-13: Use of Motion Pictures as Digital Sound
Recording Medium, by Fred Lipsett (45:00)
- 2000-14/15: Technical Committee, Part I. Digital
Recording Techniques:A Refresher Course and Overview of Formats, by
Gary Galo and Joe Patrych (110:00) [2 CD-R's]
- 2000-16: Technical Committee, Part II. 24/96 High-Definition
Digital Audio: Where Are We Headed With This?, by Gary Galo, Seth
Winner, Dennis Rooney, and Joe Patrych (60:00)
- 2000-17: Duplicates in the Nineties and the National
Phonograph Company's Block Numbered Series, by Raymond R. Wile (75:00)
- 2000-18: Augustus Stroh: The Forgotten Scientist
of Sound, by Timothy Fabrizio and George F. Paul (45:00)
- 2000-19: The Recording Industry & Development
of Standards of Orchestral Performance: A Case Study of EMI, Sir Thomas
Beecham and the Formation of the London Philharmonic Orchestra, by
David Patmore (45:00)
- 2000-20: Mozart as He Is Sung, by Steven Smolian
(45:00)
- 2000-21: Restoration of Leonard Feather's 1938-39
"From Spirituals to Swing" Concerts, by Doug Pomeroy (45:00)
ARSC 1999 Conference Sessions
Madison, Wisconsin
- 99-1: Elsie Janis, the Sweetheart of the A.E.F.,
by Allen G. Debus (Univ. of Chicago) (45:00)
- 99-2: Fieldwork Forgotten, or Alan Lomax Goes
North, by James P. Leary (Univ. of Wisc.) (60:00)
- 99-3: Hispanic Discography Panel; Richard Spottswood,
Moderator (90:00)
Don't Sing Anything Dirty!: Early Recordings of Caribbean Music, by
Christobal Diaz Ayala The Small Labels of Southwest Texas and No.
Mexico, by Chris Strachwitz (Arhoolie Records) Latin Music in Chicago:
Arlinda Records, by Theodore S. Beardsley (Hispanic Soc. of America)
99-4: Furtwangler and Toscanini: Myth and Reality,
by Gary Galo (SUNY Potsdam) (60:00)
- 99-5: George, Priscilla and Rosemary, Les, Johnny,
Scat, Milton and Fred: Hidden Gems in the Fred Waring Radio Program
Recordings, by Peter T. Kiefer (Pennsylvania State Univ.) (60:00)
- 99-6: Rachmaninoff Legacy: Old & New Perspectives,
by Donald Manildi (International Piano Archives) (60:00)
- 99-7: Associated Audio Archivists Panel (45:00)
Introduction: What is AAA, by Garrett Bowles (University of California,
San Diego)
New York Sound Recordings Workshops, by Susan T. Stinson (Syracuse
University)
Preservation Standards, by Gerald Gibson (Library of Congress)
Retention of Materials Related to Sound Recordings, by Brenda Nelson-Strauss
(Chicago Symphony)
- 99-8: Nipper Centenary: A Live Nipper Interview,
by Robin and Joan Rolfs (Audio Antique LLC) (45:00)
- 99-10: Saving the Sounds of the Upper Midwest:
The Mills Music Library Sound Collections and the Wisconsin Music
Archives, by Rick March (Wisconsin Arts Board) (30:00)
- 99-11: Mounting Discographical Catalogs on the
Web: Examples from the Latin American Collection, by Suzanne Mudge,
Emma Dederick-Colon (Indiana Univ. Archives of Traditional Music)
(45:00)
- 99-12: Rockin' the Classics, by Janell R. Duxbury
(University of Wisconsin) (45:00)
- 99-13: The Organization of the North American
Phonograph Co., by Ray Wile (Flushing, NY) (60:00)
- 99-14: The Hung Groove: Stuttering on Early Recordings,
by George Paul (Mt. Morris, NY) (45:00)
- 99-15: The Pickering 190 Tonearm: Its Use in the
Playback of Metal Parts and Warped Discs, by Dennis D. Rooney (Sony
Classical) (30:00)
- 99-16: A (Personal) History of Paramount Records,
by John Steiner (Milwaukee, WI) (45:00)
- 99-17: Senta's Ballad on Records, by David Breckbill
(Doane College) (45:00)
- 99-18: The Philadelphia Orchestra?s Centennial
CD Collection, by Mark Obert-Thorn (45:00)
- 99-19: CDR as Preservation Medium, ARSC Technical
Committee (90:00)
(with Seth Winner, Gary Galo, Dennis D. Rooney, Joseph Patrych, and
David Seubert)
1998 Conference Sessions
Syracuse, New York
- 98-1: Cylinder Q & A Session, Technical Committee's
Cylinder Subcommittee; Bill Klinger, moderator (60:00)
- 98-2: The Current State of Digital Audio Preservation
at the Library of Congress, Gerald D. Gibson (30:00)
- 98-3: "Orthophonic" Machines and Records,
Michael Devecka (Montclair, NJ) (45:00)
- 98-4: Aesthetics Out Of Exigency: Violin Vibrato
and The Phonograph, Mark Katz (U. of Michigan) (30:00)
- 98-5: History of Instantaneous Recording, Part
II: The Lacquer Disc, Mike Biel (Morehead State U) (60:00)
- 98-6: The Invention of the First (?) Vertically-Mounted,
Linear-Tracking Phonograph, Robert J. O'Brien (West Virginia Wesleyan
College) (60:00)
- 98-7: "Call it Bootlegging But It's Legal":
Eli Oberstein and the Coarse Art of Indie Record Production, David
Diehl (Texas State Technical College) (30:00)
- 98-8: Reissues and Copyright: The European Situation,
Pekka Gronow (Finnish Broadcasting Co.) (30:00)
- 98-9: Copyright and Sound Recordings in the Digital
Era, Joseph Reidy (Cumpston & Shaw), sponsored by the Fair Practices
Committee (75:00)
- 98-10: Opportunity Lost: The American Graphophone
Co. and Its Six-Inch Cylinders, George Paul (45:00)
- 98-11: Interviews With Early Recording Artists,
John and Susan Edwards Harvith (Syracuse U.) (30:00)
- 98-13: Local Composers' Experiences with the Recording
Industry; Andrew Waggoner, Daniel Godfrey, Dexter Morrill, Ann Silsbee,
moderated by Neva Pilgrim (Syracuse Society for New Music) (45:00)
- 98-14: Memories of Louis Kaufman, Annette Kaufman
with John and Susan Edwards Harvith (45:00)
- 98-15: The 1888 Wax Cylinder Recording of Thomas
Edison's Voice: An Object Study, Jerry Fabris (Edison Historical Site)
(60:00)
- 98-16: Umbrellas and Parasols in Popular Song
Lyrics, Bill Schurk (Bowling Green State U.) (30:00)
- 98-17: Preservation and Access: Archivists and
Users Seeking Consensus on How to Achieve Mutual Goals, Barbara Sawka
(Stanford University Archive of Recorded Sound); Jerome F. Weber (Utica,
NY); Garrett Bowles (University of California San Diego); Sponsored
by AAA (75:00)
- 98-18: Magnificent Frauds or Ghostly Performance
Recreations? Piano Rolls: An Interim Report, Artis Wodehouse (Bronx,
NY) (60:00)
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